Blackmagic Design announced today that production company SoKrispyMedia’s newest release, “Stick Figure War” was shot in Blackmagic RAW using Blackmagic URSA Mini Pro 4.6K G2 and Micro Studio Camera 4Ks,…Read More
Fragmented support from browser and device makers is holding back advanced new codecs, according to Bitmovin. H.264 continues to dominate the video codec field, accounting for 91% of all usage…Read More
Throughout the Covid-19 lockdown, many citizens have found themselves stuck indoors as governments attempt to limit the spread of the pandemic. And while stuck indoors and looking for ways to…Read More
In 2020, there will be acceleration in areas of mobile production, including using IP for contribution and distribution. Media organizations will move past their objections and embrace the many advantages…Read More
Pakistani broadcaster, Public News, has selected a range of Grass Valley solutions to underpin its upgraded production and playout operation. The new set-up gives the Urdu language broadcaster, owned and operated by…Read More
Grass Valley is set to share its knowledge, insight and latest solutions news with customers and the wider media and entertainment industry via a comprehensive 12-week virtual platform – GV…Read More
Given each codec has different properties and that every broadcaster or pay-TV operator has different infrastructure and legacy systems, it is unlikely there will be any clear winner. Instead, there…Read More
The pandemic’s effect on newsrooms is already underway. It is accelerating the newsroom of the future. Technology is being used at the fingertips, and it is pushing the stakeholders to…Read More
If sports stadiums are forced to close their doors for a considerable time, they could weaken their allure to broadcasters. Would the sporting events be as good, or as popular,…Read More
What does the year ahead hold for the broadcast industry? From the continued pivot toward OTT, the impact of 8K, and the ongoing fight against piracy, these trends and many…Read More
The changes wrought by digital disruption will continue to sweep through the broadcasting sector. The window that broadcasters have to define and execute their vision for competing in an increasingly…Read More
On the trend-conscious and experimental side of motion design, there are going to be a lot more play in 2019 with responsive typography and real-time type integrations into video using…Read More
The advent of 4K UHD and ATSC 3.0 has necessitated a transition to IP-based broadcast infrastructure. With the year 2018 holding much promise in terms of mega sporting events such…Read More
